Blessed be! I hope everyone’s had a slightly smoother week than I have. It’s been one of those weeks that it seems, if it can happen, it will happen. Leaving aside the mundane so I can talk just about my writing life, my vampire history hit a huge speedbump.
There I was, moving along in my notes at a decent clip, when a terrible realization came crashing down on my head. In one of my climactic moments, one of my favorite scenes in the whole manuscript–indeed one of my favorite things I’ve ever written–I had overlooked something crucial. One small detail that changed the trajectory of the entire rest of the novel. I had broken my story.
I won’t lie. The very first thing I did was panic. I texted my crit partner and whined at my wife about the sheer amount of reworking I would have to do to get my story back in shipshape. It would take so much heavy surgery to fix it, assuming it could even be done without rewriting the entire end of the story. So much for my “quick” editing pass!
The next thing I did, once I’d calmed down, is to start making a plan. With so many drafts and so much work already invested in this story, there was no way I was about to let a bump in the road deter me, no matter how big a bump it was.
So, how did I work through it?
- Don’t panic! Okay, this one can’t really be avoided. It’s human nature. So perhaps the better way to say it is this: calm down. Get some distance from the problem for a few minutes. Take a walk or a hot shower. Come back to it with an open mind, ready to look for solutions.
- Brainstorm. Start throwing possible fixes out to see what works. Get a second set of eyes or ears on the problem. Especially if you have a beta reader, crit partner, or significant other who’s been helping you with your story. Once you’ve amassed a pile of possibilities, you can start whittling it down to things that will actually work.
The thing to remember, though, is you aren’t looking for a patch. A quick and easy surface fix is just that: a surface fix. To really heal your plothole, you’ll need to find the solution that gets you down to the root of the problem and address it there. It won’t be easy. But your story needs you to do it.
- Build a framework. Now that you know what your solution is, you need to start laying out the plan for how you’re going to get there. If you just jump into the manuscript slashing and stitching, you’ll make just as many problems as you solve. Go through your story with the solution in mind and tag things that will have to move or change. You may find that a lot of the things you already have can be repurposed for use elsewhere. Mark places where you’ll need to write something fresh to bridge gaps or replace cut scenes. This is the part of the process that I’m currently engaging in.
- Let it cool. Or marinate. Or percolate. However you’d like to describe it, the result is the same. Put the manuscript away and don’t touch it for at least a week, ideally longer if you have the time to spare. Let it turn over in the back of your mind; you may find details that you missed when you laid out your plan, and your story will thank you for taking the time to let them come to the surface.
- Take a deep breath and dive in. Unfortunately, there’s no easy way around this one. It’s time to dig into the dirty work and start with the big changes. Just like we talked about in the surgery part of the editing board series, you need to get the bathtub out of the kitchen. Treating it just like your very first editing pass, make it ugly. Move things around. Rip out the walls according to your blueprints. Make a mess if you must; don’t be afraid to get dirty!
Slowly, the dust will settle. You can begin to fix things at the scene or sentence level and clean up transitions. And before you know it, you’ll have a beautiful story, much stronger for you taking the time to heal it from the inside out!